August 2008

Home

Squire Value Picks

Squire Cellar Picks

Retailer Directory

Industry Resources

Feature Articles
Current Features
 
2003 Index
 
2002 Index
 
2001 Index
 
2000 Index
 
Winery Spotlights
 

...Search
 

Related Articles
  Dago Red  
Highlights
WineSquire Mail
  Join our mailing list and receive our monthly lists by email. View archive.  
Highlights
Feedback
Questions? Comments?
  Email us
Feature Article
Home > Articles > Article - Published July 2007
Bottles to Barrels:
On Wine and How to Keep It

By Glenn Robert Uhlmann

With Regard to the Bottle
Wine has been an important part of human life since man first discovered how to make this gift from nature over 6,000 years ago. How to store it and move it in containers was one of the early people’s first problems with their wine, oil, and other fluids.

Archeologists and historians have discovered in their researches all over the world that the earliest vessels used to store wine were jars made of terracotta that were lined probably with pitch. Much of the researchers’ published material was gleaned from sunken Roman ships in the Mediterranean. Many of the resurrected containers were of the amphora style, with two handles. Recovered pieces were of many different styles and types, suggesting multiple manufactures. Records indicate that other containers were made of animal skins. This practice continued into the 18th century, when cork was found to be successful in stopping bottles for long storage.

From these early receptacles to today’s modern familiar glass wine bottle, a great number of stages and improvements in development are covered. Present-day factories manufacture many millions of bottles daily. They are produced in a multitude of colors, which can be induced by the addition of various metals to the materials used to make the glass. Many types and shapes are produced by using various techniques and moulds.

Its Shape
Shapes of bottles other than the usual round configuration had been performed by glass blowers for centuries. Early English glass blowers used boards and moulds to achieve squared shapes .The shape of the common wine bottle is attractive, but some bottle makers feel that a long-necked bottle is more pleasing to look at. Winemakers are choosy about the shape of the bottle that they use for their wine, and their choice is often influenced by custom.

Its Color
Winemakers have different reasons for choosing bottles of a color to suit the wind that they produce. Most choices are made to satisfy tradition. Bordeaux usually appears in dark green. A light green is used for dry white wine. Amber is the usual choice for Rhine wine. Burgundy and wine from the Rhône area are also bottled in a dark-green bottle. Mosel can be found in either green or amber.

More on Its Shape
Port, Sherry, and Bordeaux wines most often come in bottles with straight sides and high shoulders with a strong punt at the bottom end of the bottle. The punt is an inward formation from the end toward the inside of the bottle. The punt is necessary to strengthen bottles that contain effervescent wines, such as Champagne and sparkling wines. It is also often used on regular wine bottles as a symbol of old glass-blowing techniques.

Burgundy wine and wine from the Rhône area usually are sold in tall bottles with a less prominent punt. Alsace, Rhine, and Mosel also come in tall bottles with a shallow punt or none at all. Champagne bottles have a distinguished heavy shape with thick walls and a deep punt that is necessary to withstand the gas pressure that is characteristic in Champagne and sparkling wine bottles.

Its Size
Prior to 1970, when the U.S. decided to adopt the metric system, the common size in the U.S. liquid containers was based on the gallon. Wine and liquor bottles were produced in the popular “fifth” size. Some beverages came in 1/2- and 1-gallon sizes. When bottle makers were approached with changing their bottle sizes to the metric system, they noticed that the metric liter was slightly larger than a “fifth.” When the compared the volume of the 26 oz. “fifth” to a slightly smaller .75 liter of 25.4 oz., they opted to use the .75-liter size. By changing the price very little, they could gain by putting a little less in the bottle.

Punts & Gas
The gas that develops in the fermenting process of Champagne and sparkling wine is what creates the bubbles that we see and appreciate when the wine is poured. The punt also serves as a deposit area for yeast to settle on, to suit some winemakers’ method of manufacture.

More on Its Size
A standard wine bottle holds .75 liters, and a Champagne bottle holds about 3 centiliters (cl) more than a wine bottle. (Three cl is approx-imately 4 oz.) Champagne is also available in a magnum size of 1 1/2 liters. It is also bottled in very small quarter-liter bottles, very large 18-liter bottles, and several sizes in between. These bottles are punted to increase the strength of the bottle.

The Cork
A bottle of wine is not complete without a cork. The cork stopper that is in common use today first came into use in England in about 1700. Until then, the French plugged their bottles with oil-soaked rags. Vintners in other countries probably used similar methods. Today’s more popular stoppers are made from the bark of the cork oak tree. It is grown mostly in Portugal, which produces 160,000 tons of cork every year. Spain is the next highest producer, followed by Algeria, Italy, Morocco, Tunisia, and Greece.

Harvesting the bark can be done only about every 10 years, because it takes that long for the tree to grow a new layer of bark that is thick enough to make corks. This makes the bark more scarce and, therefore, more valuable. The bark is elastic and contains oils and Saberin, which is a waxy substance. These features make it particularly suitable for wine-bottle stoppers. Because solid cork is so expensive, some cork companies have ground up the excess from solid cork sheets that were used to make regular corks and mixed this with epoxy to form a dense material that has a lot of cork characteristics and can be shaped to form a less expensive stopper.

Synthetic stoppers are made from plastic compounds. They are much used for less expensive wines and are satisfactory, in most cases. One disadvantage is that they are more difficult to remove from the bottle.

Another method of stopping bottles has been developed. The new stopper is made of glass or plastic and has an “o” ring on the outer surface of its neck that makes a perfect seal between outside air and the wine in the bottle. These are expensive, and this fact makes their use limited.

Other Stoppers
Screw caps, also known as Stelvin caps, are becoming more and more popular. They have proven very effective in sealing out air from the wine in the bottle. However, they are looked down on as being intended for “cheap” wines.

An added feature to the cork end of the bottle is the capsule, which is used as an extra precaution to protect the cork. They had been made of lead for many years until 1993, when lead was recognized as a health hazard, and now they are made of aluminum or tin. However, another reason for eliminating the end foil was that the capsule-free bottle was more attractive and was thought to sell more wine.

Crown caps are made of cork and are used in making Champagne during the fermentation process. They are usually replaced by a regular cork when the wine is distributed. The term “crown cap” applies also to the metal cap that is installed by crimping it over a lip on the end of the bottle. These are found mainly on beer and beverage bottles.

The obvious problem with an unopened bottle is removing the cork. Without the proper tool, this is not a simple job. The cork cannot be dug out with a knife or pulled out with a pair of pliers. The search for a cork extractor has gone on for thousands of years. Today, there are hundreds of solutions to this problem—most of which involve the use of a helix-shaped device that is twisted into the cork, so that it can be pulled out. The best helix shape is hollow, with no stem in the middle. There are innumerable designs for pullers that use this principle. Some makers of these tools coat them with Teflon, which makes them easier to twist the helix in and out of the cork. Gears and racks are used in various arrangements in the search for a better device.

A recent innovation to the cork screw is prong-type puller. In this design, two flat blades are attached to a handle.The prongs are inserted on each side of the cork by wriggling and rocking, until they are inserted all the way. The handle then is used to twist loose the cork, so that it can be pulled out.

The Label
All wine bottles have two labels: one on the front, and one on the back. Both are used to give the consumer vital information.

The front label probably will provide the:

  • Name of the vineyard.
  • Type of wine (Chardonnay, Chianti, Chablis, Burgundy, etc.).
  • Vintage, year or place.
  • Name of the producer.
  • Alcohol strength.
  • Size of the bottle.

The back label will give other data, such as:

  • Sulfite content, if any.
  • Year of bottling.
  • Warning of alcohol to pregnant women.
  • Miscellaneous information.*

Yet More on Its Shape
Often, wine bottles are found in artistic configurations. Shapes that resemble common items are produced for many wineries. Those in Italy and other European countries are especially partial to unordinary shapes. Many of these odd shapes change the volume of the bottle, but they usually have a volume near that of a standard wine bottle.

Wine also is available in boxes that are made of treated paper or cardboard, as well as in plastic, cans, and pouches. They come in various sizes, from 1-liter to 5-liter boxes. They have proved safe and reliable for storing wine and do not have any adverse effects on the taste of the wine. Also, they are convenient for serving large groups and useful for when one wants to draw small amounts into a carafe from which one might serve. Personally, I do not care to use them, because they deprive me of the charm of opening a bottle of wine.

Conclusion
Wine bottles, like the nectar they pour, will go on forever. They are so charming in the way that they bring pleasure and enjoyment to drinkers of wine. Like so many other parts of out lives, they can go without recognition and leave no mark on the memory. What was in the bottle is what will be remembered.

With Regard to the Barrel
The art of making barrels is centuries old, but the basic procedure has changed but little from the past to the present. The need for a container with which to store various items, including liquids, motivated early peoples to invent the barrel. The Romans first made barrels in the third century. The Gauls had been making barrels for centuries even before then. There is no certainty about what the first attempts looked like, but we can be sure that the early materials available at that time were few and crude. Man’s inventive nature eventually led him to the use of staves and hoops.

On the Wood
The first barrels were made from whatever kind of tree that was available locally to the barrel maker. After many years, it was found that when wine was stored in barrels made of oak, it made an improvement in the taste of the wine. Today, white oak is universally used for making wine barrels, because of that wood’s ability to improve the taste of the wine. The very tight grain of oak wood provides a slow transfer of the wood’s flavor to the wine and is a desired feature.

American oak, when first used for barrels, was not successful, because it gave an overly strong taste to the wine. Experiments with how the seasoning of the wood and how the staves were prepared by the French resulted in improvement in the use of American oak. French coopers let their wood air-dry to attain proper seasoning. American coopers made their wine casks as they had made their whisky barrels, with kiln-dried wood that had been sawed instead of split. When French methods were applied to American oak, the results were so improved that now American oak is accepted nearly as well as French.

On the Barrel Maker
Today’s barrel makers—or coopers, as they are called—have refined their work to an art that is practiced by highly skilled artisans with much time-consuming handiwork. Today’s tools enable them to do much of the same old procedures faster and with more precision.

The coopers of today are not called upon to make wine barrels only, but also they must make many other containers of different sizes. There is a need for casks, buckets, tubs, puncheons, breakers, and many more. Barrels provide a means for storage; and, because they are round and bulged in the middle, they are easy to roll and move about from one place to another. An empty barrel weighs 130 pounds, while a full barrel of wine weighs 600 pounds. The most commonly used barrel holds about 59 gallons, which will fill 300 bottles of wine.

When the oak trees are felled in the fall and winter (while the sap is low), the coopers are there so that they can select the choice parts of the tree to use in making their barrels. The preferred material should be straight and without knots. In France, the selected pieces are hand-split in half and then quartered, in order to be able to check on tightness of grain and the tannin content.

On Barrel-Making
American oak is sawed into pieces, instead of being split—in part, to obtain more pieces per log. The pieces are planed and then stacked outside in the weather for a minimum of two years. During this aging process, the formation of sugar and acids is noted. After the blank staves have been aged properly in the curing yard, one side is planed flat and the other is planed with a slight hollow. After being cut to length, they are tapered at each end and beveled. The staves then are heated to make them more flexible for assembly with hoops, which hold the ends together to form the beginning of a barrel body. Both ends of this assembly are now grooved on the inside of the ends to accept the heads of the barrel. This groove is called a “croze.”

Other phases of construction of the barrel include testing for impermeability against leaks. Then, the inside of the barrel is toasted—a process that helps to impart wood flavors to the wine. The process of toasting is accomplished by using an oak fire to char the inside of the staves slightly before final assembly. The heat from toasting caramelizes sugars and certain ingredients in the wood that will be taken into the wine by the alcohol that is in the wine.

The amount of toasting is a matter for the winemaker to choose. He or she knows that the type of wine that will go in the barrel has certain characteristics that he or she wants to emphasize. The winemaker has a choice of at least three different grades of roast from which to choose: light, medium, and heavy. These types can vary from cooper to cooper, with inconsistent results.

In order to create a more consistent system of toasting, tests have been made by an independent cooperage. Four different types of barrels in size and shape were used, to cover fully the range of toasting that is in common use. An infrared temperature sensor was placed near the bilge (bulge) and at the base of the fire pot that holds the burning oak-wood pieces and which is used for toasting. The temperature sensor was coordinated with a time recorder. Records of the time and temperature were made every few seconds during the toasting-process test. By using these readings, a desired type of toasting was able to be repeated accurately on any other new barrel. This ability, which is referred to as “profiling,” was very useful to many winemakers who had particular requirements.

However, the old historical way has not been forgotten and still is used by most barrel makers.

On the Future of the Barrel
Some winemakers get a second life from a barrel by scraping the insides of the old barrel to expose a new surface of wood and then roasting it. This achieves additional use from the barrel, but it has not proven to be as successful in treating the wine as does using a new barrel.

A recent publication suggests that oak barrels might become obsolete. This view is built upon the common use of oak chips or blocks of oak wood that are submerged in steel tanks of wine to induce the taste of oak in the wine. This process does not have the effect of aging in a barrel, but it is a much less expensive way to obtain the oak flavor. Good oak barrels are extremely expensive, and the use of chips or chunks can reduce drastically the cost of a bottle of wine. The vintner is obliged to note the process on the back label of the bottle.*

Conclusion
The true value of the bottle of wine is influenced by the reputation of the label and the method of production.

* January, 2007


Glenn Robert Uhlmann is a Contributor to WineSquire.com

Ask the Squire

Questions and 
answers
about wine.

 

Local Wine Personalities
Tom Allan
Eric Awes
Sean Boyd
Andrew Campbell
Stephen Carroll
Doug Charles
Marco D'Ambrosio
Tom DiNardo
Mark Elwell
Jameson Fink
Chris Gorman
Amy Grape
Kathy Kongelbak
Jake Kosseff
Dawn Marti
Arnie Millan
Scott Miller
Ken O'Hara
Rowena Saturay
John Schultz
Lars Sorensen
Jens Strecker
Olé Thompson
Nick Tomassi
Kenneth Winch

If you would like to contribute, please contact us.
 
WineSquire Links
Check out the sites that have received the WineSquire 'Seal of Approval.'

Home | Squire Value Picks | Squire Cellar Picks | Retailer Directory | Industry Resources | Search
Articles | People | Products | Books | Links
About Us | Sponsors | Advertise with Us
 

Privacy Policy
Copyright 1999-2008  WineSquire.com.  All Rights Reserved.